Below are the first of the Tabernacle Films 20th 25th Anniversary Digitally Remastered
Limited Edition Re-releases -- coming soon, to a DVD player near you.
These are each downloadable in Windows Media Player (".wmv") format and/or Real
Player (".rm") format can be streamed if you have a broadband Internet connection
at 256kbps or faster. Otherwise, you can right-click and "Save Target
As..." to save the file on your disk before playing it. The Windows Media
versions are better quality, but require a fairly recent version of Windows
Media Player.
NEW! Check out the new movie player on the
Movies Beta page.
It features much higher quality videos than the ones below.
TITLE
LINKS
DESCRIPTION
Click to stream (broadband only) or Right-click and
"Save Target As..." to download and then play from disk (for slower
connections or to save file permanently).
In the 1970's a series of memorable cop shows and
other crime dramas appeared on the TV airwaves. A decade later,
Tabernacle Films attempted to revive the 70's Crime Drama genre with
Sloan 'N' Sloan. Unfortunately, they failed miserably.
We interviewed the director to try to gain further insight into this
disaster:
Q: So, what went wrong?
A: At Tabernacle Films, we had long recognized the manner in which circus
performers increase the tension in the audience by working without a
net. In Sloan 'N' Sloan we applied this same methodology
to the TV Crime Drama, by working without a script.
Q: So you feel it was the lack of a script that doomed the production?
A: Yes. Well, that, and the lack of a plot, sets, special
effects, and, actually, any
kind of pre- or post-production staff or equipment whatsoever.
Q: Have you used this tragically minimalist technique on any of
your other productions?
A: Yes, all of them. Actually, equipment-wise this one was a
few steps up from the
others. We had a camera, a tripod and a few packs of firecrackers. That's
at least two more things than we had on most of our films.
Chlorokiller. Ah yes, what can be said
about Chlorokiller that hasn't already been said. There
has been a minor nuclear power plant accident, and something is affecting
the leaves in some way - more on this later...
Tabernacle Films comedy/sci-fi masterpiece has now
been saved from the clutches of analog VHS EP-speed oblivion and is
in the process of being rendered into the digital special effects extravaganza
(well, by Tabernacle Films standards, anyway) that it always deserved
to be.
With the population of unsuspecting campers in steady
decline, the Ax Man takes to the streets to terrorize unsuspecting skateboarders.
(Ok, so this is presented as the Night of the
Ax Man Trailer, but in reality it is practically the whole actual
movie. The only part missing is the pitch black, walking through
the woods part right after the skateboard scene and right before we
gave up and/or the battery ran out. It just seemed to make a better
trailer than a movie.)
Machetes. Motorcycles. Mistakes.
These are the elements that combine to form 48 seconds of sheer mayhem.
This was the first version of Mistakes Dead People Make that
was insufficiently produced by Tabernacle Films. We later did
a slightly less-not-fully-produced remake of this film. In fact,
it was later the same afternoon -- approximately three minutes later,
if I recall. Yes, in a move unprecedented in film history, Tabernacle
Films actually did an unfinished remake of a film before even having
watched, or finished, the first version of the movie.
Yet, it was evident on the set of the remake that
things weren't going well. Everyone sensed, somehow, that we were
failing to recapture the raw energy that we would eventually realize
had permeated this original version once, in retrospect, we had actually
seen it and, more so, imagined having actually finished it. After
all, the original version would have been a classic, we would later
realize, and we weren't doing its theoretical fully finished existence
justice, it would become apparent later on. "We must try harder
to live up to the expectations of the fans!" we realized we should have
said at that point had we only known that later we would watch the original
version and visualize actually having finished it and the legion of
cult-like fans that it would have attracted.
So here is that original, classic version, in its
full non-entirety, with a new half-baked soundtrack and several additional
unfinished finishing touches.
A strange ring triggers an unexpected behavioral
transformation in an unsuspecting video game player. (No, not
that The Ring. Tabernacle Films was the first to use that
title for a horror movie. However, the original working title
was "The Thing in the Box in the Corner of the Basement in the House
at the End of the Street.")